back to the drawing board

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'no working title'

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friday was an absolutely fascinating and thoroughly enjoyable day. it was the climax of the project which was/is organised by three tutors and hosted by the tate modern. there where 36 students (12 per uni) selected, these 36 were randomly paired and all individuals were asked to send a set of instructions for a piece of work to their partner to carry out. the experience gave me (and im sure all otheres involved) a fascinating insight and perhaps an alternate perspective on my practice. i was asked to make 10 strangers happy in 10 different ways..
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..a little more backtracking

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..so as ive been trying to catch up with whats been going on in the real world ive inadvertently failed to post the linking work.. i.e. the main piece that was in the exhibition 'these words i seek are not my own' which was the subject of the last post i made before the interim.. so here it is in all its dubious glory: 'vs' capcom, google, wood, dulux, projector, oil, acrylic, reclaimed frame, hardware 2011 we (the artists and a few other folks from around the studio) had a crit and this is the general thread of conversation regarding the work... somewhat forceful presentation of a view of incestuous counter-intuitive/symbiotic relationship existing between contemporary and historical dipictive image making. obscuring the plurality or multiplicity from both painterly and pseudo painterly perspectives content rendered, aside from being a deliberate rendering of a simulated physical (albeit exaggerated) conflict, attempt to both loose ...
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rubber tubing, closure, graphics and prospective graphics

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first and foremost, inspite of workshop closure this week i managed to make and begin to fit the tubing which will tranfer drive across the mechanism. im ready to make the temporary hand crank (which intend to replace after 'locus' with various electrical systems) and adjust the wheels to make everything, hopefully, run smoothly. seeing as there was no woodwork for a couple of days i decided to start fiddling with a piece i was planning to leave for later. it involves the creation of an interactive mozaic, something that could be altered over the course of its exposure. so i cast from a wooden mock up to ascertain if i can produce an accurate piece to duplicate. along the same thread to some extent i also initiated the first in what may be many small collaborations. i have asked a friend studying graphics to design the type and layout for the form of a sort of public survey into learning... this will come to the fore once 'locus' things are done, a time which is curre...
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